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Effective Training

 

Before we start, we must realise that we are all different so what might be easy for some people can be incredibly difficult to achieve for just as many if not more. We will discuss what makes us different - body types, muscles, flexibility - it is most important to remember that there are no absolutes.

Talent and dedication make the best martial artist, not body type and you can enjoy martial arts whether you are tall, short, heavy or thin. If you want to make it to the top ranks, certain body features will help.

Let's begin by finding out what kind of "morph" you are - one of those hereditary things. Then we will talk about gears and levers, muscles, bones and flexibility and what you can and can't do to improve what you have. Finally, we will close with a few words about what you can expect to happen to the body as it goes through puberty.

Endo-, Ecto-, Meso-( Body Types )

In the animal kingdom, you see obvious relationships between size, shape and function. The elephant is huge, round, slow and powerful. The cheetah is lanky and fast. The gazelle is small, muscular and nimble.

Humans fall into roughly the same three categories, with scientific names that make things sound more complicated than they really are!

Endomorph - Endomorphic people have a natural tendency to gain body fat, and generally have a rounded look. Endomorphs can excel when slow power is required, like weight lifting.

Ectomorph - Ectomorphic people tend to turn whatever they eat into energy. Like the cheetah, they are thin and wiry. Ectomorphs have trouble gaining weight, and almost no amount of bodybuilding will give the true ectomorph the rippling muscles that come naturally to the mesomorphs. In sport, this body type excel at endurance events.


Mesomorph – Somewhere in between the endomorph and ectomorph, the mesomorph is compact and muscular, neither fat nor thin. The mesomorph has a build that is square, rather than long or round. Nimble and quick like the gazelle, the mesomorph is a natural for martial arts along with gymnastics, diving, pentathlon and other sports that require a variety of skills.

Of course, almost no one is purely one body type or another. We all have traits from each category. If you look at winners in the top martial art events, you will notice that they all look alike. Most men are strongly mesomorphic and many females have mostly ectomorphic characteristics.

Muscularity vs. Aesthetic look
Muscularity is certainly important for most martial artists bet they male or female, but too much muscle can be something of a disadvantage. Muscles and flexibility don’t naturally go to together. The girl with plenty of muscles for kicking, punching and throwing may lack the flexibility and grace it takes to do the deep stance work and aerial kicks of wushu. The same goes for men covered in short bulky muscles with stiff shoulders and backs, which makes any acrobatic moves almost impossible. There is also the aesthetic look and body line which is important for the large free flowing movements which makes routines (Kata or Toalu) so enjoyable to watch.
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Gears: Power vs. Speed
If you’ve ever ridden in a car, you are familiar with gears. The car starts in a low gear with a lot of power to get moving, but a low gear cannot take the car to the ultimate high speed. As the car speeds up, the automatic transmission shifts the car into the higher gears. At motorway speeds, in the highest gear the car has plenty of speed but little in the way of reserve energy.
The idea is that gears trade energy for speed, and vice versa. Human bodies however do not come with automatic transmissions. We are designed for a fairly narrow range of speed and power with the disadvantage that we can’t swap gears (although we do have two gears in our muscles which I shall explain later).
In general, people with short thick muscles operate in a low gear. They are powerful and have explosive energy to get moving fast from a standing start. But they can’t maintain that movement for long.
People with long thin muscles operate more in high gear: not too good from a standing start but efficient over long periods.
Mesomorphs tend to be low-gear people and Ectomorphs are generally high gear. The best martial artists have some of each depending on what their discipline desires e.g. judoka tend to be mesomorphic and boxers tend to be ectomorphic.

Levers: Weight, Speed and Inertia
While the idea of gears helps us understand how muscles work, the idea of levers helps explain the role of bones. Go into the refrigerator and grab a litre of milk. Keep your arm at your side and lift the milk by just bending your elbow. Now keep the arm straight and lift the milk by raising your arm. More difficult don’t you think! When the weight is at the end of a long lever it’s harder to lift. The "effective weight" of the milk has increased because the lever is longer.
Not only does it take more force to lift the milk with your arm straight, it is also a lot harder to do quickly. This relates to the problem of overcoming inertia (an object will continue doing whatever it is doing until some force tries to stop it). Inertia applies to just about everything from getting your car going after a red light, to slowing down at the next set of lights. It even applies to getting your body away from a TV set.


But what do litres of milk and body types have to do with martial arts? Simply, the longer your arms and legs are, the harder it is to make them move, the harder they are to move faster and the harder they are to slow down. Top martial artists are usually small people, with relatively short bones (levers). The laws of physics simply make it easier for them to move their arms and legs quickly and precisely and with less energy. Long bones may predispose you to injuries. A long foot at the end of a long leg kicking a focus pad or body will create more force going into the ankle joint than a short foot at the end of a short leg. I’ve noticed that martial artists with long legs and toes always seem to have more toe and ankle injuries than their shorter counterparts.

Muscle Twitches
We discussed earlier that there are two "gears" within your muscles. Really, you have two types of muscle fibres: fast-twitch and slow-twitch. Fast-twitch fibres enable you to move quickly enabling you to fire explosive kicks and punches. Slow-twitch fibres handle slower tasks requiring endurance in stance work and balancing.


Unfortunately, to choose the correct amount of each muscle type you have, you would have to choose your parents. Elite martial artists will be lucky enough to have a high percentage of fast twitch muscle fibres, while marathon runners will be nearly all slow twitch. Regardless of your own particular mixture of slow and fast twitch fibres, be sure to work both of these muscle types. Plyometric exercises for the fast twitch, and strength work for the slow twitch.
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The Secret of Flexibility.
In my work I meet many people, and the most commonly asked question is "How do I do box splits?" I now realise that stretching is the most commonly misunderstood subject in martial art coaching today.
Taking a warm up and stretching in a warm up is compulsory under The Health & Safety Act 1978 which is the law.
All stretching at whatever level is a boring, painful and slow process, but keep at it and you will succeed - just don’t give up. Young children under 10 are quite naturally supple, the rest of us have to work at it. If you are 20 years old give yourself at least 3 years to hit box splits while training 3 times a week with at least fifteen minutes stretching per session. I always have to explain how muscles work and what happens to them during stretching, once the student realises what is happening to their bodies they become a lot more patient.

Expensive Equipment and Flash Books.
There is a whole range of exciting machines and books that make amazing claims with regards to flexibility. In gymnastics a massive majority of gymnasts who train more than just recreationally achieve box splits with just the following: Time, a mat, gravity and someone who understands the body - their coach.

Collagen, the Magic Ingredient.
You have worked on your splits for months, jealous of Van Damme and Superfoot but little progress can be seen. You have become envious of your team-mates who can easily go down into every type of splits and look bored. "What’s their trick?" you think "Why can’t I go any lower?"
The answer could be "collagen" which is something you may have heard of in cosmetic ads. In the body, where it occurs naturally, collagen is a protein fibre and is the critical ingredient in muscles, tendons and ligaments. Collagen is an important key in holding your skeleton together! If you have naturally elastic collagen, your muscles will stretch easily. The ligaments holding your bones together (joint capsule) will also stretch easily, so you can get your body into the positions that most normal people cry in.

By the way, "double jointed" people do not have extra joints; they just have extra stretchy collagen.


Determining Your Flexibility
Here’s a quick test to assess the elasticity of your collagen: Use one hand to bend the thumb of the other hand towards the soft inside of the arm (see illustration). If you want to do well at martial arts, your thumb should touch your arm fairly easily. The easier the better. If you find you can’t get your thumb close you might find martial arts a bit frustrating at times, but keep at it, every athlete has to stretch from baseball to swimming.

Building and Maintaining Flexibility
If you are starting martial arts at a young age - under ten - you should be quite flexible as most kids are. Make sure your training sessions include static stretching to help maintain your flexibility as you grow older. Concentrate on the back, hip, quadraceps, hamstring and shoulders which all need to be flexible to maintain injury free training. If you are slightly older, make sure the majority of your stretching is relaxed stretching with no bouncing. Just hold the stretch for a minimum of 40 seconds to gradually make a gain. Do not worry about the more advanced stretching like PNF. This usually ends up creating injuries rather than increasing flexibility and is usually due to the instructors not fully understanding how the body works.
Unfortunately, flexibility depends heavily on heritage and if you are not naturally supple, keep stretching. Everything can be improved - you might never hit box splits but your kicking can be just as superb as Superfoot. I have come to notice over the years that people who can do all three splits are not necessarily the best kickers. The kicking must be practised just as much as the stretching.

Women vs. Men, Flexibility
Women are usually more flexible than men and here’s why. The hip joint is a simple ball and socket joint and the legs move freely forwards and backwards easily. Now when it comes to moving out to the sides, all the muscles, ligaments, tendons and bones try to stop this happening to, in the worst case, stop you dislocating your leg from your hip. Men and women have exactly the same amount of muscles and ligaments over the hip but because women’s hips are broader due to the fact they go through childbirth, the density of their muscles is less. Women’s bodies have the hormone oestrogen, which is responsible for rapid cell reproduction in situations such as pregnancy. This comes in handy during stretching when you tear the muscle fibres, because women’s bodies will replace the fibres far quicker than in their male counterparts. Along the same line, a woman’s pain tolerance is far greater than a man’s due to the simple fact that women’s bodies are designed for childbirth and a massive amount of stretching in one day. Men are simply not designed to handle the pain of stretching as well. (Sorry lads, we are all a bunch of wimps really!)

Summary
Regardless of all body types, the best type of body is the one you have, especially since you can’t change it. You just have to understand how to get the best out of it. Enjoy your body and look after it.

Article By Alasdair Monteith
BGA Level 4 Men’s Gymnastics Coach/BCCMA Martial Arts Coach
Head Coach and Director of the British Institute for Chinese Martial Arts
November 1997


 
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